Teletext
Key a page number (100, 101, 102, 103, 104) or press a Fastext colour: 100what it argues, 101how you recognise it, 102rules, 103often confused with. Reveal shows concealed text. Flip turns the pages every eight seconds until you press it again.
Build with it
A starting grammar for a website in Teletext: one 40 x 24 cell grid, seven saturated colours on black, 2 x 3 mosaic graphics, double height as the only rank, and navigation by page number and four coloured keys.
Web translation marks our choices for the screen. Not specified by the source marks what the sources leave open. Everything else is a rule from the record below.
The same system is in the brief (Build → Brief) and in the structured data.
Information delivered under a hard bandwidth budget. The constraint is not concealed or apologised for — the grid, the eight colours and the blocky glyphs are the budget made visible, and legibility at broadcast distance outranks everything else.
It refuses continuous tone, intermediate colour, free placement, and any element smaller than one character cell.
Costs it accepts: Image fidelity, Typographic range, Free composition.
Who it is for: A viewer at domestic television distance, reading a page that will be replaced on a timer.
A fixed grid of 40 columns by 24 rows in which every element occupies whole character cells, drawn from a palette of seven saturated colours on black, with graphics built from 2×3 mosaic blocks inside those same cells and headings set by doubling character height.
Diagnostic The diagnostic condition is that the grid is a transmission constraint rather than a design decision: nothing can sit between cells, no colour can fall between the seven, and no shape can be finer than a sixth of a cell.
Terminal shares the monospace ground but is a console with a prompt and a phosphor-derived palette; Arcade shares the low-resolution look but draws sprites in hard-edged pixels against a coin-op frame.
0 Elements linked. No Element is linked to this Aesthetic yet. Each row still opens its gallery.
| Typographycarries the look | Page set in VT323, one cell face for the screens and the record. |
|---|---|
| Colorcarries the look |
as built |
| Compositioncarries the look | Nothing linked yet |
| Imagery | Nothing linked yet |
| Surfaces | Nothing linked yet |
| Motion | The screens change only when asked: a page flip on a timer the reader starts and stops, and concealed text behind Reveal. Nothing scrolls. One word flashes, on page 104, and settles after four beats. |
| Motifs & Symbols | Nothing linked yet |
| Techniques | Nothing linked yet |
By area, each labelled with what kind of claim it is.
Layout
Documented · Source attachedComposition: 40×24 character grid.
Layout, again
Documented · Source attachedA 40x24 character grid with block graphics drawn on a 2x3 mosaic matrix inside each cell, in eight colours. These are the broadcast specification, not stylistic choices.
Typography
Graded by our research brief · No source attachedTypography: fixed-width cell glyphs; double-height only.
Color
Documented · Source attachedColour: 7 colours on black, no intermediates.
Imagery
Documented · Source attachedImagery: 2×3 mosaic blocks only.
Interface
Documented · Source attachedNavigation is by single key press on the remote: under the FLOF (Fastext) code of practice four keys coloured red, green, yellow and cyan select linked pages, with matching prompts displayed on row 24 at the bottom of the page.
Interface, again
Documented · Source attachedThe top row is a page header that normally carries a real-time clock and a rolling page counter.
Interface, again
Documented · Source attachedConcealed text is hidden as spaces until the viewer reveals it with a decoder operation.
Interface, again
Documented · Source attachedOn newsflash and subtitle pages, boxed areas are inset into the live television picture instead of a black page.
Interface, again
Seen in the workServices such as ARD Text and Teefax use rows 0 and 24 for things like the date and fastext links.
Motion
Our readingThe native behaviours are page-flip on a timer, the reveal of concealed text, and the rolling subpage counter — not scrolling, which the format cannot do. Scroll-based animation would be the failure mode this rule exists to prevent.
Motion, again
Documented · Source attachedText and mosaics can flash, alternating foreground and background colour, set by a control character and cancelled by Steady or a new row; early Ceefax could flash selected words.
Motion, again
Documented · Source attachedMulti-frame pages rotate on a sub-page carousel, and early Ceefax animations used that carousel.
Motion, again
Documented · Source attachedThe header row rolls through page numbers and keeps a live clock.
Motion, again
Documented · Source attachedIn-vision teletext, broadcast as a TV programme free of carousel sub-page timing, could feature animated elements.
Motif
Documented · Source attachedSeparated graphics, adding gaps between mosaic cells, is a standard option alongside the default contiguous blocks.
Motif, again
Documented · Source attachedA statement reported by the teletext wiki says the 3 x 2 mosaic matrix limits the design of any motif.
Motif, again
Seen in the workThe recurring graphic device is the mosaic page header or section banner above text content.
Motif, again
Seen in the workBlack cells where colour changes sit, which cost a character cell each, recur as heavy black outlines ('code borders') around shapes.
Form
Documented · Source attachedA teletext page is a grid of 40 columns by 24 rows, 960 characters.
Hierarchy
Graded by our research brief · No source attachedHierarchy is unusually clean and worth stating plainly: rank comes from double height, colour, and row position — and from nothing else. There is no weight axis, no size axis beyond ×2, and no indentation finer than a cell. A designer who understands only this sentence can already compose the page.
Density
Our reading960 cells is a fixed budget, so density is a consequence of content rather than a style choice. A page should run near the budget, because a sparse teletext page reads as a broken one.
Form / motif / surface / technique
Graded by our research brief · No source attachedForm / motif / surface / technique: block mosaic; no surface treatment exists.
Surface
Not specified by the sourceThe sources do not specify this area; a translation may follow.
Partly sourced. 9 sources attached. 3 claims graded by our research brief, no source attached.
Build guidance: recorded in 8 of 8 research dimensions. It says what usable material is recorded, never how well it is evidenced.
No source attached: Argument, Recognition test.
Not researched yet: Summary, Overall positions by area, Ornament and contrast scales, Moving it to screen, Source notes.
What this record covers: UK/WST broadcast teletext, 1974–2012.
Neither is a free hand: an area research has not reached is not permission to decide on the language’s behalf.
| Research dimension | Evidence | Carries guidance |
|---|---|---|
| Composition | Specified · Graded by our research brief | yes |
| Typography | Specified · Graded by our research brief | yes |
| Hierarchy | Specified · Graded by our research brief | yes |
| Colour | Specified · Graded by our research brief | yes |
| Density | Specified · Our reading | yes |
| Imagery | Specified · Graded by our research brief | yes |
| Form / motif / surface / technique | Not specified by the source: form, surface · Specified: motif, technique | yes |
| Motion | Specified | yes |
For machines data/v1/teletext.json prompt/teletext.md
Contribute
Contributing and commenting need JavaScript. Nothing else on this page does.
Work made in this style: a poster, a page, a type setting. Every submission is reviewed before it appears.
Nothing here yet.
Comments
No comments yet.